Christus 1712 - 1786

Editor: This is "Christus," an engraving by Giovanni Marco Pitteri, made sometime between 1712 and 1786. It’s striking how the artist uses light and shadow, almost a spotlight effect, on Christ’s face. How do you read the formal elements in this piece? Curator: Formally, the piece demonstrates a clear understanding of chiaroscuro. Note the sharp contrasts that define the figure. The composition is also meticulously structured around implied lines of sight and gesture, directing our gaze upward. Observe the angle and gradations that bring focus on the face with fewer details to distract us. Editor: So, the deliberate contrast serves a specific purpose in guiding our eyes? Curator: Precisely. The dramatic light accentuates the emotional intensity and spiritual aspect suggested. The upturned gaze creates dynamism, while the rest of the setting provides balance. Editor: It’s interesting how the artist uses the direction of gaze to invite the viewer to connect with the divine. Is the upward movement balanced by a static point or point of focus in the engraving? Curator: I find it to be the face itself, since that is where we interpret feeling. The slight variations of hatching to create depth do bring an earthly element as well. Editor: I hadn’t considered the static, steadying element being so central to the artwork! I'm seeing the print in a completely new way now. Curator: Analyzing how these elements converge enriches our understanding of the artist's purpose and impact. We can study Pitteri’s mark as both an individual, and as a sign of what was current and accessible in the cultural arena he worked within.