Dimensions height 185 mm, width 127 mm
Editor: So, this etching, “Grote groep putti voor een gordijn,” or “Large group of putti before a curtain,” was made by Félicien Rops in 1866. It’s currently held at the Rijksmuseum. There is so much going on, I see playful cherubs behind a tattered theatre curtain, giving a narrative presentation with dramatic action. How do you interpret this work? Curator: It's fascinating how Rops uses the imagery of putti, traditionally symbols of innocence and divinity, within the frame of a theatrical performance, seemingly staged for some advertisement! Consider the socio-political climate of 19th-century Belgium, and its vibrant satirical press: The print seems to allude to something bigger, but it is hidden behind allegory, like a parody for the elites, playing out for popular entertainment. Note the banner above the curtain: it seems like it may point at this being an advertisement for 'A. Delvau, Le Grand et Le Petit Trottoir.' This piece prompts a question about the role of art institutions in both reflecting and shaping societal norms. Does it challenge viewers or does it celebrate commercialization? Editor: That's interesting! It also has that duality between the divine putti and the commercial intent. Do you think that was a deliberate decision by Rops, to present such juxtaposition? Curator: Undoubtedly! The placement of classical cherubic figures within the very modern commercial print culture creates a strong ironic statement. By blending high and low art, and challenging the boundaries and the elites, Rops turns a common marketing stunt into sharp cultural commentary on the market and its audience, especially at the hands of socio-political instability in Belgium. It is quite poignant when viewed in that light. Editor: I see it now; that context gives it a much deeper meaning than just cute cherubs and advertisements. Thanks! Curator: Precisely, and it is in these very contexts that we unveil not just what Rops sought to create but what it meant in its world and continues to signify.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.