Keyed guitar c. 1785

Editor: So, this "Keyed Guitar," crafted around 1785 by Christian Claus and primarily made of wood... It has a very delicate look. It also seems oddly elongated compared to a modern guitar. What's your take on this instrument? Curator: This is an intriguing piece when considering the social role of music in the late 18th century. Guitars, unlike some instruments, weren't exclusively for the elite. Do you notice anything about the craftsmanship, particularly the detailing? Editor: Now that you mention it, the craftsmanship appears rather simple. Like it’s made to look intricate but isn’t…and the use of wood doesn't signal luxury, does it? Curator: Precisely. This could indicate a growing accessibility of music to a wider social spectrum. While the wealthy patronized elaborate performances, instruments like this potentially allowed music-making in more domestic, middle-class settings. Notice anything in the image near the center of the body? Editor: Ah, yes...the dark imprints, the symbol that's emblazoned on the face—what do they represent? Are these stamps a form of early branding? Curator: You're onto something. They're definitely part of communicating identity. Looking at how the guitar maker chose to brand and decorate the instrument reflects on what message they want to associate with it. This is an object carrying layers of socio-political intent and meaning. Editor: So the instrument is more than just a music maker, but also an icon of its era. Thanks, I would never have gotten that without your expertise! Curator: And your observations helped clarify the object's social meaning for both of us. That's what makes these conversations worthwhile.