The Author and his Reader; a Frontispiece to ‘The Tatler’ by Francis Hayman

The Author and his Reader; a Frontispiece to ‘The Tatler’ 1759

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Dimensions: support: 135 x 90 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Francis Hayman’s “The Author and his Reader; a Frontispiece to ‘The Tatler’”. It's a small drawing. The woman seems very composed, while the author looks rather distressed. What do you see in this piece? Curator: I see a snapshot of 18th-century gendered intellectual labor. The author, presumably male, is actively writing, while the woman passively reads, a common trope that reinforces societal power dynamics. Editor: So, the act of reading itself is being portrayed as passive? Curator: Not inherently, but here, the woman’s quietude contrasts sharply with the author's apparent struggle. Hayman, perhaps unintentionally, captures the limitations placed on women's intellectual contributions during this period. The cat perched on the author's chair could be a sardonic commentary on the author's creative struggles! Editor: That's a perspective I hadn't considered! It makes me think about how images reinforce particular points of view. Curator: Exactly! It's crucial to critically analyze the historical and social contexts to understand whose voices are amplified and whose are silenced.

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tate about 19 hours ago

http://www.tate.org.uk/art/artworks/hayman-the-author-and-his-reader-a-frontispiece-to-the-tatler-t08137

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tate's Profile Picture
tate about 19 hours ago

Hayman was a history painter and also had a flourishing portrait practice. He worked in the fashionable rococo style. He also produced nearly two hundred designs for engraved book illustrations. This drawing is one of four illustrations made by Hayman for frontispieces for a new 1759 edition of 'The Tatler', a periodical which appeared between 1709 and 1711. Hayman shows an author sitting at his table while his companion looks up from her paper. In its air of exasperation and boredom this drawing appears to gently upset the conventions of the contemporary conversation piece. It was engraved in reverse by Charles Grignion (1717-1819) for volume 1 of 'The Tatler'. Gallery label, September 2004