Study for Illustration for Aline, Queen of Golconda n.d.

Albert Lynch created this study for an illustration using watercolor and graphite on paper. Though these materials are typical of fine art, Lynch's approach serves a commercial purpose. The graphite provides a preliminary sketch, and the watercolor adds depth and tone, indicative of the industrialization of printing and the rise of mass media in the late 19th century. Lynch's artistic process here is especially visible. The graphite under-drawing peeks through the washes of watercolor, demonstrating his technique of layering. The fluid quality of watercolor allows for subtle gradations of color and tone, which Lynch uses to create a sense of depth and atmosphere. The loose brushwork adds to the sense of spontaneity and immediacy, inviting viewers into the scene. The work's function as a commercial illustration is important. Its creation relies on a combination of artistic skill and industrial modes of production. This piece blurs the boundaries between fine art and commercial design, reminding us of the social and economic contexts in which art is made and consumed.