Portrait of a Woman 1640 - 1645

Jacob Jordaens painted this portrait of a woman, likely in the early to mid-17th century. Our attention is immediately drawn to the ruff, a symbol of status and formality. The ruff is a fascinating motif, isn't it? In its genesis, it was meant to convey elegance and social standing. Think of the elaborate collars in Spanish court portraits – a rigid halo around the face, projecting power. Yet, as time marched on, the ruff became almost comical, morphing into the exaggerated, almost clownish versions we see in later periods. Consider how the ruff, in its exaggerated form, may unconsciously tap into our collective memories of authority and social roles. The weight of societal expectation becomes almost physically embodied in this cumbersome garment. It represents a powerful visual symbol with a rich history, constantly evolving as it resurfaces across time.