Gezicht op de Blackfriars Bridge in Londen by York & Son

Gezicht op de Blackfriars Bridge in Londen c. 1860 - 1880

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photography, gelatin-silver-print

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landscape

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photography

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gelatin-silver-print

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cityscape

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realism

Dimensions height 85 mm, width 170 mm

Curator: This is "Gezicht op de Blackfriars Bridge in Londen" by York & Son, a gelatin-silver print likely taken sometime between 1860 and 1880. The image offers us a fascinating glimpse into the Victorian era of London. Editor: It's really quite striking. The almost monochromatic palette adds a beautiful sense of uniformity. It leads your eye right across the strong horizontal of the bridge. Curator: The subject matter, though seemingly straightforward, presents a complex picture of 19th-century urban development and social change. Blackfriars Bridge itself, teeming with figures, was a key infrastructural component reflecting London's economic power. Editor: The artist masterfully captures depth through careful tonal shifts and perspective. Notice the sharp focus on the bridge's immediate architecture, slowly dissolving as your eye travels towards the horizon with St. Paul's Cathedral barely visible in the fog. Curator: Precisely. St. Paul's serves as a deliberate architectural contrast – representing traditional power against the backdrop of burgeoning industrialisation. The photograph functions as a sort of archive; evidence of the city’s ever-shifting social topography, revealing who had the power to shape its very landscape. Editor: Although the detail is astonishing for a photograph from this era, it paradoxically creates an overwhelming atmosphere. Look at the light shimmering off the water contrasting against the heaviness of the bridge structure. There’s tension between the dynamism and statics of this industrial moment. Curator: Exactly! Think of what would have been happening in London in that very decade. Mass production, colonial expansion. The rapid urbanization is evident in that smog, indicating progress, or rather the problematic cost of such so called ‘progress.’ Editor: I've come to appreciate how the photographic constraints of the time enhance the dreamlike essence. Curator: Indeed, by studying the evolution of photographs, we also trace a narrative about social values and progress. Editor: The image offers an intimate experience. Curator: This piece really urges us to think more carefully about what 'progress' really means for people within such eras.

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