Henry is really great . . . c. 19th century

Curator: Here we have Paul Gavarni's "Henry is really great . . .," an intriguing lithograph held at the Harvard Art Museums. What are your initial thoughts? Editor: It feels intimate, almost voyeuristic. The close proximity of the two women and the casual nature of the scene create a sense of immediacy. It's quite domestic. Curator: Gavarni was a keen observer of Parisian life, particularly the social dynamics and fashions of the time. His work often satirizes the bourgeoisie. Editor: That's evident in the title and the woman's dialogue. It's a glimpse into the complexities of love, or perhaps, transactional relationships within a marriage. Curator: Exactly, the text hints at an arrangement and the social expectations placed upon women. It provides an interesting commentary on social roles. Editor: It makes me consider the power dynamics at play and the woman's agency, or lack thereof, in choosing her own path. Curator: Gavarni captures a moment of quiet rebellion. What a compelling look at 19th century French life. Editor: Yes, a poignant glimpse into the lives of women navigating the constraints of their time.