[title not known] Possibly 1818

Editor: This is an undated painting by Robert Smirke in the Tate, of a scene with Don Quixote. It's quite small, and the sepia tones give it an antique feel. What stands out to you? Curator: Consider Smirke's choice of monochrome. How does that connect to the print market of his time? It cheapens the labor involved in creating this image, right? Editor: It does seem to simplify production. So, the choice of sepia and the small size were probably driven by commercial considerations? Curator: Precisely! It speaks volumes about artistic production catering to a growing middle-class audience consuming art through affordable prints. Editor: I hadn't considered the economics behind the aesthetic choices. Thanks! Curator: The material conditions are always part of the story!