Staande vrouw met een zwaard en een lans by Anonymous

Staande vrouw met een zwaard en een lans 17th century

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drawing, print, woodcut, engraving

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portrait

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drawing

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print

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figuration

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woodcut

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history-painting

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northern-renaissance

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engraving

Dimensions: height 75 mm, width 68 mm

Copyright: Rijks Museum: Open Domain

Curator: Let's take a look at "Standing Woman with a Sword and a Lance," an engraving or woodcut print, dating back to the 17th century and created by an anonymous artist. What’s your first impression? Editor: Stark, powerful. She occupies almost all the available space with a really unflinching stare and these heavy vertical lines suggesting maybe some serious earth-bound quality. Curator: That earth-bound quality is partly due to the medium, right? Woodcuts demanded a particular kind of labor, often more closely linked to artisanal crafts than 'fine art', involving a direct engagement with the material properties of the woodblock. Editor: Absolutely! And the way the artist used those forceful lines and limited tonal range to construct her... it almost makes her feel indestructible, unyielding to external forces, as if she has emerged from the depths of time to give courage. Curator: Yes, the image clearly draws on earlier Northern Renaissance traditions, but there's also this tension between her military regalia—the sword, lance—and the sort of domestic-looking cap and apron she wears. What is the message for viewers, I wonder? Editor: That contrast is intriguing. Maybe it suggests strength isn’t just about brute force. And to me, there is also this interesting, you know, it may sound too personal, but the image is saying something very contemporary, suggesting hidden resilience. Curator: I think your intuition here aligns well with interpretations seeing these images as representing civic virtue, female strength in a tumultuous era of constant conflict. They’re not strictly portraits of actual individuals, but rather embodiments of ideas about national strength, created by laborers who needed those strong ideas for themselves. Editor: Well, seeing this not just as "art" but as part of a network of hands and minds through its time has truly expanded my appreciation of the subject matter, don’t you think? Curator: Precisely! These glimpses into 17th-century processes give us a profound understanding of both material circumstances and aspirations, really enrichening how we engage.

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