Gezicht op de Mäuseturm aan de Rijn bij Bingen by Anonymous

Gezicht op de Mäuseturm aan de Rijn bij Bingen c. 1881 - 1891

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print, photography, gelatin-silver-print

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still-life-photography

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print

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impressionism

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landscape

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river

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photography

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gelatin-silver-print

Dimensions: height 102 mm, width 152 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a gelatin silver print, most likely from sometime between 1881 and 1891, called "View of the Mäuseturm on the Rhine near Bingen." What I immediately notice is how much detail there is in the hillside – so many lines! What do you see in this piece? Curator: The Mäuseturm, or "Mouse Tower," resonates deeply as a potent symbol. Legend says it was where a cruel archbishop met a grim end, devoured by mice after refusing grain to the starving. Beyond the factual accuracy, the tale reflects enduring anxieties around power, culpability, and karmic justice. Does the image speak to you of such things? Editor: Wow, I didn't know that. The landscape seems peaceful at first glance, but now that you mention it, there’s a definite sense of foreboding lurking in the details! Do you think that was intentional on the photographer's part? Curator: Perhaps. The river Rhine itself is steeped in myth. Water often signifies the subconscious. In this composition, we observe humanity – the tower and vineyard – grappling with untamed, elemental forces, the landscape bearing silent witness. A potent meditation on how culture exists, always, intertwined with primal instinct. Editor: That’s a very insightful way to look at it. I hadn't considered the contrast between the natural and the man-made in such symbolic terms. Curator: Consider too how legends shape place. Does knowing the story change your perception of the tower's image? Our cultural memories, passed down through tales like these, weave themselves into the very fabric of the land we see represented. Editor: Absolutely, knowing the background makes the image much more profound. It’s no longer just a landscape. It feels haunted by the weight of its own history. Curator: Exactly. It reminds us that images carry complex, multilayered stories, ready to be unveiled through the symbolic language of visual art. Editor: I'll definitely look at landscapes differently from now on.

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