Sacred Bear And Bird by Norval Morrisseau

Sacred Bear And Bird 1996

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painting, acrylic-paint

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painting

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graffiti art

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pop art

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acrylic-paint

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figuration

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indigenous-americas

Curator: This vibrant acrylic painting, created in 1996, is titled "Sacred Bear and Bird" and was conceived by the visionary Norval Morrisseau. My immediate feeling is a dreamlike interpretation of animal symbiosis rendered in startling color. It looks celebratory and otherworldly. Editor: Absolutely. I’m struck by how Morriseau blends figuration and abstraction in this piece. His work pulls so powerfully from indigenous cultural narratives, disrupting established art world conventions with an assertion of native imagery. We are faced with not only a bear and bird, but their inherent spiritual essence, interwoven with ancestral stories. Curator: The colours jump out at you. But how much do you think Morrisseau deliberately weaponized what are viewed as bold pop colours – teal, crimson, candy pink – against the established order and their preconceptions about art in the "Indigenous-Americas"? Is it provocation? A joyful expression of spirituality? Both? Editor: It’s fascinating to consider. On one level, Morrisseau was reclaiming agency through imagery, painting his Anishinaabe heritage in defiance of the systemic erasure historically enforced. These bright colors also challenged the traditional notion that “authentic” indigenous art must align with stereotypical earth tones. In that context, the seemingly playful palette is deeply subversive. Curator: The bear, so solid and earthy. It suggests strength and connection to the land. Then there's the bird, hovering ethereally; what's your sense of their juxtaposition in terms of social symbolism or maybe something much more simple, and even personal, as a motif of balanced coexistence? Editor: Balance is key, here. I interpret the coupling of bear and bird, beyond simple symbiosis, as reflective of interconnected forces that work to build communities through traditional narratives that celebrate collective, communal agency, but not only limited to that one group. I suppose that such images can also be deemed as inclusive and global. It becomes a wider symbolic metaphor for harmony that can connect anyone or anything that is different. Curator: Very beautiful said and thought of. You've really deepened my perspective of Morrisseau. It goes beyond artistic interpretation to being about indigenous representation itself. Thank you for giving your analysis, its made me look at this artwork with renewed and awakened eyes. Editor: And thank you. Examining Morrisseau's artwork, situated as it is between aesthetics, politics and history, is so generative and stimulating!

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