Coronation of the Virgin c. 16th century

Editor: This is an anonymous engraving, "Coronation of the Virgin," from the Harvard Art Museums. It feels so otherworldly with all the angels and divine figures. What strikes you when you look at it? Curator: I'm drawn to how this imagery reinforces the Church's power. Notice how God the Father and Christ, acting as co-regents, legitimize the Virgin Mary’s position? How do you think this image functioned within the broader religious and political context of its time? Editor: So, it's not just a sweet scene, but a statement about authority? That's fascinating. I hadn't considered the political implications of religious art like this. Curator: Precisely. Art often serves a purpose beyond the aesthetic. It's a reflection of societal structures and power dynamics. Editor: That gives me a lot to think about when looking at other pieces.