Tie-back c. 1941

Harry Jennings made this watercolor on paper, “Tie-back.” The palette is muted—ochre, beige, and touches of green—and the surface is matte, allowing for a close, intimate viewing experience. I imagine Jennings, brush in hand, carefully layering washes of color to create depth and form. Those leaves look heavy, the flower almost bursting with potential, all captured with a steady hand and an eye for detail. I wonder if he was trying to freeze the perfect moment of growth? I can imagine the quiet concentration in the studio. Jennings' work resonates with that of botanical illustrators throughout history. I’m thinking of Maria Merian, and how artists like her showed us the intricate beauty of the natural world. Jennings invites us to slow down and appreciate the beauty of a simple botanical form. It’s a reminder that we can find endless inspiration in the world around us if we just take the time to look.