Verkoper van kippenkoppen en kippenlever 1660

Editor: We’re looking at "Verkoper van kippenkoppen en kippenlever" or "Seller of chicken heads and chicken livers," a print from 1660 by Giuseppe Maria Mitelli, currently held in the Rijksmuseum. I’m immediately struck by the strong line work. What do you notice about the formal qualities of this etching? Curator: Note how the linear arrangement constitutes its visual identity. The work distinguishes itself by a distinct use of etching lines to create the human form. Consider how Mitelli uses this stark, contrasting line quality to create tonal variations to illustrate volume. The figure has weight due to this formal technique. What does the overall composition evoke in terms of spatial relationships? Editor: The figure seems to exist in a rather shallow space; the landscape behind him is barely suggested, making him the primary focus. But are those the lines indicating ground or water? Curator: Indeed, the etching displays minimal spatial depth, pushing the subject forward and isolating it. But does the formal reduction diminish the storytelling elements? Editor: Not at all! The careful etching lines on the seller’s face bring forth a rough but engaging human character, and the meticulously etched chicken parts showcase his trade in detail. I never considered the line itself to be so descriptive! Curator: Precisely, the success is due to the strategic, visually rich line work to bring our eye to different surfaces. A clear formal arrangement supports an engaging human vignette. Editor: I see that now. By concentrating on the visual elements and the composition, the artist's narrative choices become all the clearer. Thank you!