Study of Two Figures: One Seated, the Other Standing (recto); Study of a Head Looking Upwards (verso) 1772 - 1782

George Romney made this sketch of two figures with graphite on paper some time in the late 18th century. The immediacy of the material is evident; Romney has captured a fleeting moment with just a few lines. The graphite itself allows for a range of marks, from soft shading to sharp, decisive lines, reflecting the artist’s process of observation and refinement. The texture of the paper also plays a role, subtly influencing the way the graphite adheres to its surface, adding depth to the drawing. The paper would have been relatively cheap, the kind of material used for studies and practice. This isn't a finished work, but rather a glimpse into the artist's thought process. It reminds us that even the most polished artworks often begin with humble materials, and the skill lies in the artist’s ability to transform them. Appreciating this connection between material, process, and social context allows us to see beyond the surface and understand the true value of the artwork.