Bullfight in Madrid by Gordon Parks

Bullfight in Madrid after 1964

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performance, c-print, photography

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african-art

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film photography

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performance

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landscape

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c-print

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festival photography

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figuration

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street-photography

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photography

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culture event photography

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populated photography not posed

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figurative photography

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person photography

Dimensions: sheet: 60.8 × 76.2 cm (23 15/16 × 30 in.) image: 39.4 × 59.1 cm (15 1/2 × 23 1/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Here we have Gordon Parks' photograph, "Bullfight in Madrid," taken sometime after 1964. It’s a c-print and, wow, the dramatic shadows really strike me. It’s hard to ignore how they almost overwhelm the figure. How do you interpret this image? Curator: This image speaks volumes about the spectacle of bullfighting and its complicated place in Spanish culture. Parks, known for documenting social realities, here captures not just the performance but also its inherent tension. Consider how the composition, particularly the deep shadows, contributes to a sense of impending danger, almost symbolizing the unequal power dynamic between matador and bull. Where do you think Parks is positioning himself in this theatre? Is he a voyeur or an active observer? Editor: I see what you mean about the power dynamics. It's not just a simple action shot; it's loaded with meaning. The shadows do create this oppressive feeling, making me feel the tension of the scene, of the sport. So you think that by obscuring the image, he highlights the spectacle, the show, rather than just the act? Curator: Exactly. And think about Parks himself. An African-American photographer capturing a deeply ingrained Spanish tradition during a period of significant social upheaval in the United States. It raises questions about cultural appropriation, representation, and the photographer’s own position in relation to his subject. This all challenges any romanticism often associated with bullfighting. What does it say to you about this specific cultural practice being upheld in this specific context of time and place? Editor: I didn’t think about that. His background definitely gives another layer to the work. He’s capturing this really performative act and immortalising it for others to either understand or question its relevance, even now. Curator: Precisely. It urges us to unpack the historical, social and political threads interwoven within what might appear as simply a depiction of a traditional performance. Editor: Thanks, I see it very differently now. It's definitely more than just a photograph of a bullfight!

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