Coffeepot by Joseph Richardson Jr.

Coffeepot 1792 - 1798

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silver, metal

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silver

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metal

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united-states

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decorative-art

Dimensions Overall: 15 3/4 x 10 7/8 in. (40 x 27.6 cm); 47 oz. 10 dwt. (1476.7 g) Foot: 4 1/8 x 4 1/8 in. (10.5 x 10.5 cm)

Curator: Just look at this object; there's a stillness and elegance. Editor: It has a solemnity, doesn't it? And so polished, almost unnaturally perfect. Is that a reflection, or is it glowing? Curator: That's precisely it! We're looking at a silver coffeepot, crafted between 1792 and 1798 by Joseph Richardson Jr., currently residing at the Metropolitan Museum of Art. I think there is beauty and dignity here, almost neoclassical severity in form. Editor: Neoclassical indeed. I can't help but read the coffeepot as a symbol of wealth and status during the early republic, produced from extracted materials on stolen indigenous land with exploited labor—perhaps an embodiment of America’s original sin. The gleam obscures uncomfortable truths. Curator: I'm sure that’s there too, somewhere deep inside the gleam, but to focus only on that would be…diminishing, don't you think? It’s exquisitely crafted. Note the subtle curvature, the balance. And that wooden handle – such a tactile contrast to the cool, hard silver! It would fit your hand just perfectly. Editor: While its craftsmanship is undeniable, who would be drinking out of it? Probably folks profiting directly from such inequities, so drinking coffee is far from innocent. Still, that the coffeepot exists shows, perhaps, the dawn of America finding its feet? It feels almost defiant, to exist as the revolution turns into government. Curator: Perhaps. Maybe it stands at the crux of contradictions. There is the artist finding beauty even in grim conditions; but isn't it lovely, with those swirling flourishes beneath the rim! So delicately inscribed… almost whispers on metal. Editor: Whispers of revolution, whispers of class, whispers of new worlds aborning… The coffeepot contains a world of simmering possibilities, waiting to spill. Curator: Exactly! And me? Well, I see the light dancing on its surface and find some measure of simple peace there. Editor: As I gaze into its shimmering void, I see history’s debts—unpaid. An unresolved narrative simmering beneath the surface of American identity.

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