Hare 1970

Curator: Here we have Dame Elisabeth Frink's "Hare" from the Tate Collections. The dimensions of the image are 511 x 646 mm. Editor: It feels incredibly vulnerable, almost startled, with that tense posture and minimal background. Curator: Frink often explored themes of anxiety and the animalistic nature of humans. The hare itself, rendered with those light washes, becomes a symbol of fragility. Editor: It also makes me think about land use and how habitats are shrinking, forcing animals into more precarious situations. The hare as a victim of circumstance, not just in Frink’s rendering, but in reality. Curator: Indeed, the negative space emphasizes the hare's isolation, drawing attention to its form and texture rather than a narrative setting. It really is a study in form. Editor: I see it as less about form and more about the relationship between the animal and a world it's struggling to navigate. The starkness is a social statement, really. Curator: An interesting point. Editor: This has been a really insightful look at Frink’s "Hare". Curator: Yes, it’s a testament to the work’s ability to resonate on multiple levels.