Study for ‘Beggar in Washington’ c. 1888 - 1891

Vasily Vereshchagin created this ‘Study for Beggar in Washington’ with oil on canvas. It's clear that Vereshchagin was interested in capturing the visible effects of age and hardship. Looking closely, you can see the build-up of paint on the canvas, particularly around the face. The artist used quick, visible brushstrokes, a technique known as impasto, to give the face texture, capturing the play of light and shadow and emphasizing the man’s weathered skin and thoughtful gaze. This man's gaze could be interpreted as a reflection on the circumstances of his poverty, prompting thoughts about labor, class, and the social issues of his time. 'Study for Beggar in Washington’ also invites reflection on the distinction between fine art and craft. The artist's skills are displayed in a manner that elevates the sitter, traditionally a subject of societal neglect, to the realm of fine art.