Guinea fowl by Walter Battiss

Guinea fowl 

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painting, acrylic-paint

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naturalistic pattern

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organic

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loose pattern

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painting

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pattern

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acrylic-paint

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figuration

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geometric pattern

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abstract pattern

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minimal pattern

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organic pattern

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flower pattern

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pattern repetition

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layered pattern

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funky pattern

Copyright: Walter Battiss,Fair Use

Editor: So, we have Walter Battiss's painting "Guinea Fowl" rendered in acrylic paint. The dark background and patterned texture create an intense visual field. I find it to be both playful and enigmatic. How do you interpret this work, especially in terms of its cultural or social meaning? Curator: That's a great starting point. I think that considering the socio-political environment in which Battiss was working is paramount. This painting, while seemingly decorative, exists within a historical context of apartheid in South Africa. The seemingly simple rendering of guinea fowl takes on additional meaning when we consider Battiss’s personal interest in indigenous African cultures and San rock art, a potent act of reclaiming identity. Could this patterned rendering be viewed as an almost coded gesture, subtly subverting dominant cultural narratives? Editor: That's fascinating, I didn't consider that. The bright dots against the dark ground do almost read like code now that you mention it. I was only focused on the animals, and not enough on the background or even the overall artistic context. So you're saying that Battiss might have been making a quiet political statement? Curator: Exactly! Consider the use of 'primitive' or 'naive' styles in other post-colonial contexts, or think about artists drawing on indigenous patterns as an affirmation of cultural identity. What does it mean to embrace and represent a specific animal in a context of racial segregation and cultural oppression? This painting operates on multiple levels. The explicit figuration of the guinea fowl is also layered into abstraction with all these pattern languages going on. Editor: That is insightful, it really makes you reconsider how art can function as resistance even in the most unexpected ways. I'll definitely look at Battiss's other works with this in mind, seeing if that thread of resistance runs through them too. Curator: It's been great to look at the work in terms of historical context! Thinking about Battiss’ interest in the intersectional dimensions of art gives the piece so much more cultural relevance.

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