Plate 122 Blue Grosbeak 

Plate 122 Blue Grosbeak was made by John James Audubon in the early 19th century using a combination of watercolor, graphite, and ink on paper, a traditional method for natural history illustration at the time. The meticulous process of creating this image began with Audubon’s detailed observations in the field. He would sketch and paint the birds immediately after shooting them, capturing their plumage and form with remarkable precision. The use of watercolor allows for a vivid depiction of the grosbeak's coloration, while graphite provides the fine lines that define the bird's anatomy. The ink adds definition and contrast, bringing the image to life. What’s fascinating is how the artwork also reflects the era’s attitude towards nature, a combination of scientific curiosity and exploitation. The labor-intensive process, involving hunting and detailed rendering, speaks to the complex relationship between humans and the natural world during this period. It challenges us to reflect on how artistic practices are deeply intertwined with broader social and ecological contexts.