Gevleugelde jongen opgetild door een gevleugelde man by Pierre Bouillon

Gevleugelde jongen opgetild door een gevleugelde man 1818 - 1819

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drawing, pencil

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drawing

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toned paper

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light pencil work

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allegory

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pencil sketch

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sketch book

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figuration

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personal sketchbook

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ink drawing experimentation

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romanticism

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pen-ink sketch

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pencil

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sketchbook drawing

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sketchbook art

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pencil art

Dimensions: height 298 mm, width 444 mm

Copyright: Rijks Museum: Open Domain

Curator: This drawing by Pierre Bouillon, created between 1818 and 1819, is called "Winged Youth Lifted by a Winged Man." It's rendered in pencil on toned paper. Editor: The immediate impression is one of stark dynamism—the diagonal lines of the figures against the subdued background create a powerful sense of motion. It's somber but feels heroic. Curator: It's interesting you say that. During the Romantic period, there was a real fascination with allegory and heroic narratives, and this piece really fits that trend. Winged figures often represented higher ideals, morality, or even political freedom, subjects actively debated in that era. Editor: I can see that in the muscularity of the winged man; Bouillon has masterfully shaded his body to emphasize the contours. There is also this intense expression in his face. This suggests a profound internal state, rendered in delicate strokes and cross-hatching. It speaks volumes without bold gestures. Curator: Indeed, and we also need to remember the role institutions played. Academies and salons dictated what kind of art received patronage and public attention. Works dealing with mythological themes or historical subjects, displayed within their context, carried a certain gravitas. The narrative—a rescue, a symbolic elevation—speaks to these accepted structures. Editor: Yes, while acknowledging its art-historical context is interesting, I would argue that even outside that context, one could see it more simply as a work celebrating themes of hope and resilience. It makes sense because it uses visual balance, contrasting light and shadow to draw our eye along those key lines. It's like a story built from light. Curator: Well, it's not just "light," though it is cleverly constructed in this way! To the contemporary viewer of this drawing, the imagery resonates with political undertones of liberty and the fight against tyranny. It's less about simple formal structure and more about Bouillon engaging with contemporary discourse. Editor: Regardless of our reading, Bouillon's expertise and the drawing's emotional resonance are evident and contribute to an enduring engagement. Curator: Precisely. It underscores the need to continually examine artwork in relation to its societal implications.

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