Portret van een staande man, leunend op een balustrade 1860 - 1894

This is a photographic portrait of a man leaning on a balustrade, created by Ghémar Frères. In this albumen print, the subject’s pose and attire speak to the rise of the bourgeoisie and the conventions of presenting oneself as a respectable member of society. The balustrade and draped fabric add a sense of formality. We can consider the ways that the rise of photography as a technology helped democratize portraiture. What had once been the domain of the wealthy who could commission paintings became more accessible. This image was produced in Belgium, at a time of industrial expansion and social change. To understand the image fully, we would need to research the Ghémar Frères studio, its clientele, and the broader visual culture of the time. This includes delving into archives, newspapers, and other period documents. That way we can understand how it reflects and shapes social values.