De exercitie met schild en spies: de soldaat met de spies schuin in beide handen met de rechterhand bij het hoofd en het schild op de rug (nr. 3), 1618 by Adam van Breen

De exercitie met schild en spies: de soldaat met de spies schuin in beide handen met de rechterhand bij het hoofd en het schild op de rug (nr. 3), 1618 1616 - 1618

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print, engraving

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weapon

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baroque

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print

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figuration

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history-painting

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engraving

Dimensions: height 260 mm, width 190 mm

Copyright: Rijks Museum: Open Domain

This engraving by Adam van Breen from 1618 captures a soldier with shield and spear, poised in a practice drill. The spear, held taut and diagonally, is more than a weapon; it’s a symbol of readiness and martial prowess, deeply rooted in the visual language of power. Consider the lance in classical equestrian statues, or the scepter of rulers throughout the ages – these are all echoes of the same impulse: to project authority through a pointed, linear form. The shield, conversely, speaks to protection and defense. Yet, observe how the shield is placed on his back, suggesting a dance between offense and defense, pushing forward rather than retreating. This dichotomy reminds me of the complex interplay between aggression and security, a tension inherent in the human psyche and vividly expressed through these enduring motifs. This symbol is a powerful force, engaging viewers on a deep, subconscious level. Notice how the visual echoes of spear and shield, whether in ancient battle scenes or modern-day emblems, remind us that symbols never truly die; they resurface, evolve, and take on new meanings in different historical contexts.

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