graphic-art, print, engraving
graphic-art
narrative-art
dutch-golden-age
old engraving style
romanticism
genre-painting
engraving
Dimensions height 415 mm, width 331 mm
Curator: Here we have "Tafereelen uit het leven van den profeet Jona," or "Scenes from the Life of the Prophet Jonah," an engraving made around 1850 by Jan Schuitemaker. My first thought looking at this image... Editor: ...is of something etched in time. There’s a starkness to the print, a graphic clarity, and each scene, separated within the larger composition, captures a different moment in Jonah's story. The high contrast gives it such a distinctive mood. Curator: Exactly! These six vignettes aren't just illustrations, but powerfully symbolic representations. Each scene carries layers of cultural and psychological resonance, the tale echoing themes of obedience, divine intervention, and forgiveness that have been retold through generations. Editor: I find it striking that the print comes from a "Prenten-Fabriek," a print factory, meant for mass consumption, and even explicitly labeled “Voor de Jeugd” for youth. This biblical story, therefore, was specifically crafted for widespread dissemination using industrialized methods of reproduction. Curator: Precisely. Note how Schuitemaker employed well-established iconographic conventions to convey the narrative. The visual cues embedded within each frame – from Jonah's posture in prayer to the whale itself – trigger collective memories and understandings associated with this story. Editor: Looking at the texture created by the engraving process, the labour involved becomes apparent. Each line etched onto the plate and pressed onto paper, multiplied hundreds, possibly thousands, of times— it's not just the depiction of the biblical story but also the industrial machinery that makes it meaningful. The materiality here emphasizes its accessibility. Curator: Ultimately, Schuitemaker gives us more than just a sequential story; it's a potent symbolic device. We get echoes of faith and the ongoing construction of meaning. Editor: Right. And, considering the means of its production, it serves as a stark reminder of the cultural and technological context from which these visual narratives emerge.
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