Double Page in Nasta'liq Script from a Yusuf and Zulaikha of Jami 1550 - 1599
painting, paper, watercolor, ink
water colours
painting
book
paper
watercolor
ink
islamic-art
miniature
calligraphy
Dimensions Entire Book: H. 9 9/16 in. (24.3 cm) W. 6 3/16 in. (15.7 cm) Thickness: 1 13/16 in. (4.6 cm) Text: H. 9 in. (22.9 cm) W. 5 1/4 in. (13.3cm)
Curator: This captivating work is a double page from a manuscript of Yusuf and Zulaikha of Jami, created sometime between 1550 and 1599. The text itself is by Maulana Nur al-Din `Abd al-Rahman Jami, a famous Persian poet. The manuscript page, now housed at the Metropolitan Museum of Art, uses ink, water colours, and gold on paper. Editor: Oh, wow. My immediate impression is…jeweled. It’s like looking into a box filled with tiny, glittering ornaments. But also, somehow calming? The blue is such a cool counterpoint to all that shimmering gold. Curator: That "jeweled" quality is something the artists of the time clearly strived for. We have to remember the social context—these manuscripts were commissioned by royalty, by the elites of their day. Displaying wealth and sophistication through artistic patronage was essential. These stories offered not just aesthetic beauty, but acted as important cultural vehicles to shape morality. Editor: So it was like the Instagram of its day, a carefully curated presentation of aspiration! You know, looking closer, I love how the patterns dance but don’t overwhelm. It's meticulous without feeling rigid. The way the text, though I can’t read it, sits in the center like a precious thought… it's beautiful. Curator: Precisely. The Nasta'liq script itself is highly regarded for its elegance and fluidity, becoming a core form of cultural expression and identity. These design choices are hardly random, but deliberate choices. Also, remember, the story of Yusuf and Zulaikha itself touches upon universal themes—love, desire, devotion—with endless potential for interpretations around gendered expectations of power. Editor: It’s incredible how much is communicated, even if you can’t decipher every single element. There’s a spiritual quality, definitely. Makes me think of… loss and longing, actually. Perhaps the desire for something just out of reach, like trying to understand an ancient story, from our time. Curator: I completely agree. Considering this artwork, it urges us to consider the powerful interconnections of cultural and social history. We can view the aesthetics not merely as artistic expression, but to unravel this relationship by revealing the social values of the past. Editor: It's wild how a simple book page can hold so much history, artistry, and emotional resonance! This gem gives a glimpse into stories from centuries ago, all while managing to whisper secrets to my own soul, which is enough to ignite creative visions, if you let it.
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