Willem V, prins van Oranje-Nassau 1785 - 1795

Curator: This metal sculpture from between 1785 and 1795, housed in the Rijksmuseum, depicts Willem V, Prince of Orange-Nassau. It’s quite striking. Editor: It really is! It has this very austere, classical feel. I wonder what significance such a crafted object had for its owner? Curator: A good question. Focusing on materiality, the choice of metal—its sourcing, crafting, and symbolic value—reveals a lot. Was this commissioned or mass-produced? Knowing this helps us understand its purpose beyond just portraiture. And who was involved in its making? Consider the labor, the artisan's skill. These material objects were central to forging power structures and projecting identities. Editor: That's a perspective I hadn't considered. So, rather than focusing on Willem V himself, you’re drawn to the object’s life beyond the subject? The metal, the making of the artwork, how it might have circulated? Curator: Exactly. Where was the metal mined? What was the socio-political landscape of its production and circulation? Consumption tells us about trade networks, class dynamics, even the assertion or reinforcement of power structures. Editor: That's fascinating! I typically think of portraits in terms of likeness and status, but the material gives a new way of thinking about it. Curator: It’s a crucial point! By exploring the materiality and processes of creation, we uncover social histories. This connects “high art” with craft production, opening dialogue between art, labor, and political significance. Editor: I never thought about that relationship! Thanks, I’ll definitely see similar pieces in a new way now! Curator: My pleasure! Reflecting on materials encourages looking at these art pieces from fresh angles and appreciate overlooked aspects.