Poem by Abe no Nakamaro, from an untitled series of One Hundred Poems by One Hundred Poets c. 1767 - 1768

Suzuki Harunobu created this print, Poem by Abe no Nakamaro, from an untitled series of One Hundred Poems by One Hundred Poets, using woodblock printing techniques. The print's visual language relies on layering colors onto paper, and the success of this artwork lies in the artist's ability to capture subtle tonal variations and textures, evocative of a serene evening scene. Woodblock printing involves carving an image into a block of wood, inking the surface, and then pressing it onto paper. The process is repeated for each color, requiring meticulous alignment and registration. Harunobu was a master of this technique, and his prints are celebrated for their delicate lines and nuanced colors. Beyond aesthetics, these prints reflect the rise of a sophisticated urban culture in Edo-period Japan, where skilled artisans catered to the tastes of a discerning merchant class. The amount of labor involved in the production process highlights the value placed on craftsmanship and artistic skill in Japanese society at the time. Ultimately, understanding the materials, making, and context is essential to grasp the full meaning of this print, which bridges the gap between fine art and craft.