Still life with old Armenian pottery 1957

Editor: Here we have "Still life with old Armenian pottery" from 1957, rendered in oil by Mher Abeghian. At first glance, I'm struck by how the vibrant colors of the cloth almost dance with the oranges and lemons. What catches your eye? Curator: Ah, yes, a symphony of the everyday! It feels deeply personal, doesn’t it? Abeghian isn't just depicting fruit and pottery; he's capturing a memory, an essence. Notice the textures - the rough weave of the cloth juxtaposed against the smooth, almost luminous surfaces of the fruit. I imagine he selected those particular items not just for their aesthetic qualities, but also for their emotional resonance. Does it evoke a sense of place or belonging for you? Editor: I definitely get a sense of home. There's something comforting, almost nostalgic, in the ordinariness. But the colors feel a little… bold? Almost Fauvist? Curator: Precisely! He plays with color and form in a way that transcends simple representation. Think of Matisse or Derain. It’s post-impressionistic for sure, but infused with Abeghian's unique Armenian sensibility. That pottery, those textiles, they tell a silent story about cultural heritage and family history, perhaps? I wonder, if you could reach into the painting and grab one element, which would it be, and why? Editor: That’s a tough one! I’m drawn to the colorful cloth with its many details. It feels like a window into another world. Curator: A lovely choice. And what is the aftertaste this painting leaves for you? Editor: A pleasant combination of sweetness from the fruit and a dash of deeper history. Curator: I concur. Now I have a deeper sense of that flavor too. Thank you!