Vijf mannen liggend in een grasveld by Geldolph Adriaan Kessler

Vijf mannen liggend in een grasveld 1912

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photography

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portrait

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pictorialism

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landscape

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photography

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group-portraits

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genre-painting

Dimensions: height 80 mm, width 157 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have “Five Men Lying in a Meadow,” a photograph taken in 1912 by Geldolph Adriaan Kessler. The sepia tone gives it a wistful, nostalgic quality, almost like a forgotten memory. What do you see in this piece, especially given its historical context? Curator: This photograph speaks volumes about the construction of masculinity in the early 20th century. Look at the way these men are posed: reclining, yet formal in their attire. It suggests a tension between leisure and the rigid societal expectations placed on men of that era. The landscape serves as a backdrop, but doesn't quite offer the liberation one might expect. Editor: I see what you mean. They’re outdoors, but they're still confined by their clothing and the formality of the group portrait. Do you think Kessler was intentionally commenting on these social constraints? Curator: It’s hard to say definitively without knowing Kessler's specific intentions, but photography during this period was often used to both reflect and reinforce social norms. Consider the prevailing attitudes towards class, leisure, and male bonding at the time. This image likely participates in that discourse, perhaps even unintentionally revealing the anxieties surrounding changing gender roles. How does this reading impact your initial impression? Editor: It definitely makes me see beyond the simple surface of a casual gathering. I initially saw only a group of friends relaxing, but now I'm considering the power dynamics and social expectations at play. Curator: Exactly. It is also worth noting who is NOT in the picture and why. Thinking about images like this allows us to look more critically at how history is presented and whose stories are told. Editor: I’ve definitely learned to look more critically, thinking about who’s represented and who’s not. Curator: Indeed! Let's use this lens to critically analyze more artworks!

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