Groepsportret van het bestuur van de Gymnastiekvereniging Lycurgus in Batavia by Busenbender & Co.

Groepsportret van het bestuur van de Gymnastiekvereniging Lycurgus in Batavia 1907 - 1908

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Dimensions height 193 mm, width 127 mm, height 213 mm, width 133 mm

Editor: Here we have a photographic portrait from between 1907 and 1908 by Busenbender & Co., titled "Groepsportret van het bestuur van de Gymnastiekvereniging Lycurgus in Batavia", or a group portrait of the board of the Lycurgus Gymnastics Association in Batavia. It's quite striking how posed and formal it is, and the processing of the photographic paper has clearly altered the image. What do you make of it? Curator: The sepia tone itself is a material element that speaks to the production process and available technologies of the time. The fading and imperfections visible, what others may see as degradation, these actually highlight the objecthood of the photograph, its history as a physical thing subjected to material changes over time. Consider the labor involved in producing these images. Editor: Labor? I hadn't thought about that... Curator: Absolutely! Think about the preparation of the chemicals, the posing of the subjects – they’re not naturally positioned! The studio setting itself, the backdrop, the careful management of light. What socioeconomic class are they? And where do they fit in to the dutch East indies? This photograph, seemingly a simple portrait, becomes a complex document of labor and social context. Even their clothing—formalwear of the period— represents a significant investment, pointing to specific patterns of consumption and class aspirations within a colonial system. Editor: So, rather than seeing just a static image, we can uncover layers of the material conditions and labor that produced it. Curator: Precisely. And those layers provide context, and can change or even invert our initial perceptions of an old photograph like this one. Editor: This has really changed how I see photography, and this image in particular. It's much more than just a record. Curator: Indeed, it is. Now we have context. Hopefully, you will think twice the next time you view some 'simple' artwork from this period, or any other!

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