Malermester Werliin 1864

L.A. Schou made this print of master painter Werliin using etching, a traditional printmaking process. The artist covers a metal plate with a waxy, acid-resistant ground. He then scratches an image into the ground, exposing the metal beneath. The plate is then immersed in acid, which bites into the exposed lines. This process creates grooves in the metal, which are then inked. Finally, the plate is pressed onto paper, transferring the ink and creating the print. Looking closely, we can see the linear quality of the etching technique, giving the image a detailed and textured effect. The varying depths and densities of the etched lines create the illusion of light and shadow, bringing Werliin's characterful face to life. The skilled labor is evident in the precision and control required to create such a detailed image. Schou's choice of etching, a process capable of mass production, offers a glimpse into the changing dynamics of art and labor in the 19th century. It challenges the traditional boundaries between fine art and craft.