King of Greece, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes 1889
drawing, lithograph, print, etching
portrait
drawing
lithograph
etching
caricature
caricature
framed image
history-painting
Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)
Editor: This small lithograph from 1889 is titled "King of Greece, from World's Sovereigns series" made for Allen & Ginter Cigarettes. It's striking how detailed and colorful it is, considering it was essentially a promotional item. How do you interpret this as a cultural artifact? Curator: This piece speaks volumes about late 19th-century imperial ambitions and the marketing strategies intertwined with them. Cigarette cards like this one served not just as a freebie, but as a tool to educate—or perhaps indoctrinate—consumers about global power structures. Editor: Indoctrinate? That's a strong word! Curator: Consider the context: These cards circulated widely, subtly reinforcing notions of European superiority by showcasing rulers and exotic locales, normalizing these power dynamics through everyday consumption. Does the backdrop resonate with you, in connection with this perspective? Editor: Now that you mention it, the ornamental backdrop feels a bit... excessive, almost like it's trying too hard to convey grandeur. The King himself looks rather stern. Curator: Precisely! The visual rhetoric aims to project authority. But remember, these images were mediated and shaped by the company's agenda. This seemingly innocent portrait plays a role in constructing a particular image of power, influenced by social biases. It highlights how capitalist endeavours play a role in manipulating these biases and shaping popular understanding. Editor: So, beyond its aesthetic appeal, it reveals more about the culture that produced and consumed it. It shows us how imagery was (and is) often used to propagate specific ideologies? Curator: Exactly. Analyzing the power dynamics embedded in such objects is crucial to understanding the public role of art and the politics of imagery. Editor: That’s definitely given me a new way of looking at even these seemingly innocuous, historical images. Curator: Indeed! Context transforms a simple picture into a complex statement on society and power.
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