Li Tieguai (left) 1646

Editor: Here we have Kano Sansetsu's "Li Tieguai," created around 1646, painted with ink and color on paper. There's almost a dreamlike quality to it, the figures set against that shimmering gold leaf. How do we contextualize this, considering its historical and cultural setting? Curator: Considering the historical moment, it's vital to understand the Kano school’s prominent position during the Edo period. They were essentially the official painters of the shogunate. Notice the emphasis on Chinese themes – the Daoist immortal, Li Tieguai. How might this connect with the political environment of the time? Editor: Was it a way of asserting a specific cultural or political identity? Curator: Precisely! It can be seen as an assertion of power through cultural association, linking the shogunate to the perceived wisdom and authority of Chinese tradition. The choice of subject matter, the style itself, reinforces the ruling class's legitimacy. What do you think about how the painter used gold and other expensive pigments? Editor: It feels like the materiality broadcasts wealth and patronage. Did this type of art serve other functions besides visual pleasure or projecting power? Curator: Absolutely. Think about its function within a domestic setting. Screens like these often served to divide spaces and establish hierarchies within the household. The imagery then wasn't merely decorative; it was actively shaping social relations, weren’t they? This tells us how powerful imagery can shape spaces. Editor: It’s amazing how much a single image can reveal about the societal structures of its time. Thanks! Curator: Indeed. It allows us a glimpse into the complex interplay between art, power, and identity in 17th-century Japan.