Kop by Porseleinfabriek Den Haag

ceramic, porcelain

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ceramic

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porcelain

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decorative-art

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rococo

Curator: Looking at this delicately crafted porcelain cup, known simply as "Kop," dating from around 1777 to 1790 and attributed to the Porseleinfabriek Den Haag, I’m immediately struck by the visual language it employs. The floral designs… they whisper stories of abundance. Editor: It's really quite exquisite. It’s difficult to ignore the finesse in the hand-painted design. I imagine the maker, in the context of their labour and location, being concerned with utility and aesthetic value during this time period. It is truly remarkable, given its age, how vivid and captivating the ornamentation is. Curator: The painted flowers themselves, positioned beneath an ornamented border, echo classical notions of Spring or youthful optimism, themes embraced by Rococo culture, with each flower holding a subtle, unique meaning in the language of flowers popular in the 18th century. Even the shade of blue chosen carries a connection to royalty, authority and wealth. Editor: Precisely. We mustn't forget that the means of production—the porcelain itself— speaks of luxury. These ceramics needed the correct raw materials and significant resources such as labour to be crafted. These pieces were originally commissioned and designed for the elite. Curator: And in consuming from a beautiful object such as this, we begin to embody or imbibe those values. One might argue that this aesthetic contemplation encourages positive feelings, adding joy to a ritual like tea. In truth, it suggests a narrative, hinting at deeper truths of wealth and trade behind something seemingly delicate. Editor: Definitely, even though we may analyse this object with our current contemporary viewpoints on class, luxury, and colonial extraction of raw materials, its value lies in prompting those deeper interrogations that bridge centuries of consumer consumption. It provokes thoughts regarding design, use and production of similar things in our day to day existence. Curator: A delightful intersection of material culture and symbolism, provoking questions still relevant today. Editor: Indeed. It all starts with something as unassuming as a floral-painted porcelain cup.

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