Palace of Westminster in Londen, met schepen in de Theems op de voorgrond by Y & S

Palace of Westminster in Londen, met schepen in de Theems op de voorgrond 1851 - 1890

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Dimensions: height 108 mm, width 175 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an intriguing view of the Palace of Westminster in London, captured sometime between 1851 and 1890 by Y & S as a print. It depicts the Houses of Parliament along the Thames. What strikes you first? Editor: The sepia tones! They lend this such a timeless, almost dreamlike quality. It feels like looking at a memory of a powerful place, especially with the boats sort of ghosting along the river's surface in the foreground. Curator: Absolutely. The choice to render the Palace in a soft, diffused focus gives it an ethereal presence. You could say that even as a physical building, the Houses of Parliament represents the weight of centuries of governance and national identity. The photographic style is Pictorialism, blurring lines to enhance that effect. Editor: And I notice that there is kind of stillness, a lack of sharp detail almost washes over everything, right? Yet the vertical lines of the architecture somehow impose themself strongly—pointing to ideas of ambition or upward-looking ideals that the site invokes. I keep looking at that clock tower! Curator: Indeed, while Pictorialism valued subjective expression, the selection of the subject is a reflection of Victorian fascination with the grandeur and order of modern civilization. And those little boats bobbing about speak to a global imperial project anchored right there. Editor: Oh yes, I was so stuck on the clock tower... Looking at the small boats reminds me that, you know, sometimes, no matter how imposing the symbol of power looks, there is just daily life happening all around it. The little mundane things. The photo almost puts this in dialogue, doesn't it? Curator: I would concur! The enduring dialogue between power and people, framed by the city itself. A fitting representation. Editor: Well, that’s a way of looking at a very old picture with fresh eyes, so thank you for all that perspective. Curator: It was my pleasure to look into the meaning of this work with you!

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