Bead in the Shape of a Frog by Anonymous

Bead in the Shape of a Frog c. 501 - 800

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carving, sculpture

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carving

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animal

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figuration

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sculpting

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ancient-mediterranean

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sculpture

Dimensions 3/16 x 5/8 x 1/2 in. (0.5 x 1.6 x 1.3 cm)

Editor: So here we have an exquisite, small carving, "Bead in the Shape of a Frog" dating from around 501 to 800 AD. It’s a charming little sculpture of a frog… What’s interesting about an object like this, do you think? Curator: Given the timeframe, this carving would have been circulating during periods of significant political restructuring in many parts of the world. What makes this frog bead particularly interesting is thinking about it in the context of early symbolic systems and elite power. Small objects like this moved across long distances in global trading networks. Its status as a carving is less important than its social role. Does its material indicate wealth? Was it made for exchange, for spiritual purposes, or something else entirely? Editor: Exchange or spiritual purposes…interesting! Its small scale is definitely deceiving when you consider that kind of impact. Were frog symbols popular at the time? Curator: In many ancient cultures, amphibians, and specifically frogs, were associated with concepts of fertility, transformation, and the cycles of nature. What do those concepts mean when viewed alongside the social institutions? Editor: Institutions of its time... I suppose its interpretation depends heavily on where it was circulating. In one culture, it could have been traded, whereas in another, like you mentioned, it may have had spiritual associations. Curator: Exactly! The point isn’t so much what it "is," but what people *did* with it – how they perceived and deployed it in relation to their world. These objects also tend to reinforce systems of status, and it is up to curators to address how it participates within these narratives. Editor: I hadn't considered the public role an object like this plays over time! This really reframes my understanding. Thanks! Curator: It’s been a pleasure! I’ve learned a lot, too, by rethinking how this sculpture speaks across the ages.

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