L'espressione dei sentimenti nell'uomo en negli animali by Charles Darwin

L'espressione dei sentimenti nell'uomo en negli animali 1890

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aged paper

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homemade paper

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script typography

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paperlike

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paper texture

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fading type

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thick font

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golden font

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letter paper

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historical font

Dimensions: height 270 mm, width 190 mm, thickness 16 mm

Copyright: Rijks Museum: Open Domain

Curator: Let’s turn our attention to this striking title page: "L'espressione dei sentimenti nell'uomo e negli animali" or "The Expression of the Emotions in Man and Animals" by Charles Darwin, dating back to 1890. It's an Italian translation, which adds another layer to its historical journey. Editor: Mmm, I'm immediately struck by how academic it feels, but there's something wonderfully intimate about the aging paper and the almost gothic font choice for the title. Curator: It's fascinating how fonts evoke particular historical periods, isn't it? Examining the publication's history allows us to consider questions related to class, accessibility to scientific thought, and translation's impact on reception and interpretation across different social and political contexts. Editor: Right! I bet it made quite a stir in intellectual circles. And look at how the ink has aged – a story in itself, as feelings are known to leave traces on people like those watermarks. It whispers of debates, late-night studies, of revolutionary thinking happening right on this very page. It is almost human... Curator: Exactly. We can appreciate Darwin's exploration of emotions, framed within the scientific and social currents of his time. Emotions themselves have been considered differently at various points in history and across varied cultures. Editor: Sure! Emotions and social construct go hand in hand. This title page, however, it hints at something universal that bridges species...that everything has a purpose. Curator: Darwin aimed to trace continuities, not divisions, emphasizing the interconnectedness of humanity with the rest of the natural world, using a thoroughly scientific framework, that also intersects with colonialism at the time. The book even contained photographic illustrations to support his arguments about the evolution of emotional expression. Editor: Thinking about his observations, his theories...makes me wonder about the emotions even these very pages hold! What might this silent observer whisper if books could talk, right? I feel lighter somehow. Curator: This one title page has really pulled us into complex areas of study about science, translation, even typography. Editor: Well said! Darwin certainly invites us to ponder our shared existence and our place within this animal kingdom...

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