Optocht met de doge en Serenissima Signoria over het San Marcoplein te Venetië by Anonymous

Optocht met de doge en Serenissima Signoria over het San Marcoplein te Venetië 1610

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drawing, print, ink, engraving

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drawing

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venetian-painting

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narrative-art

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baroque

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print

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pen sketch

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old engraving style

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ink

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cityscape

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engraving

Dimensions height 225 mm, width 174 mm

Curator: Here we have an engraving titled "Procession with the Doge and the Most Serene Signoria on St. Mark's Square in Venice," created around 1610. It's attributed to an anonymous artist. Editor: It’s incredibly detailed! At first glance, it appears to capture not just the physical space of St. Mark's Square, but also a sense of pageantry. Almost like a stage design. Curator: Absolutely. It provides a fascinating glimpse into the visual representation of power and ceremony in early 17th-century Venice. You have the Doge, the head of state, leading the procession of the Signoria, essentially the ruling council, across one of the most important public spaces in Venice. This was likely a recurrent and important event for civic society. Editor: All those figures, each carefully delineated with their symbolic costumes. Note, also, that the religious symbols carried around the plaza create an overwhelming impression of shared faith. Curator: Indeed. This isn't just a representation of a beautiful square, but a statement about the Venetian Republic's power and its relationship to its citizens, and foreign power. Note how order is emphasized: the figures proceed at measured paces and a careful distance from each other, signaling controlled order. Editor: And look at how that symbolic weight contrasts with the rather loose drawing of people standing behind the procession line. Does that imply a specific distinction? Curator: Exactly! The careful, formal depiction of the ruling class juxtaposed against a more informal depiction of onlookers speaks to the hierarchies inherent in Venetian society at the time. It reveals a clear division between the power elite and the public, also reflected in social order and space. Editor: This really provides insight into how rulers can present and stage themselves within cities! I didn't quite see how many symbols were at work in there at first. Curator: That’s the real power of this anonymous print, isn’t it? Beyond its beautiful cityscape depiction, it shows Venice consciously shaping its image.

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