drawing
word art style
drawing
linocut
hand drawn type
junji ito style
linocut print
ink drawing experimentation
sketchbook drawing
cartoon style
sketchbook art
doodle art
Dimensions 11 1/8 x 19 1/8 in. (28.26 x 48.58 cm) (sheet)
Paul Klee made "Animals in an Enclosure" using primarily black ink and a few sparse strokes of terracotta paint. I love how the architecture, the enclosure, has a playful, almost cartoonish quality. When I look at those bold, black lines, I imagine Klee's hand moving quickly, spontaneously. I wonder, was he thinking about boundaries, containment, or freedom? The contrast between the rigid structures and the delicate animal forms creates an interesting tension, right? It’s almost as if he’s playing with the idea of the zoo, or a contained habitat, but in a way that feels light and whimsical. I love the way that Klee is more conceptual. And, in the lineage of painters thinking about nature, it reminds me of other artists who approached the natural world not just as a visual subject, but as a site of imaginative and emotional exploration. I find myself thinking about Cy Twombly's playful and ambiguous engagement with the classical landscape.
Comments
Animals in Enclosure was created during Klee's exile in Switzerland after he was stripped of his professorship at the Düsseldorf Academy by the Nazis in 1933. It employs a labyrinth of aggressive shapes such as bars, arches, forks and arcs to create an imaginary enclosure for several hieroglyphic beasts. The relationship to prehistoric cave paintings and rock sculptures gives this work a sense of mystery and reveals most directly the influence of archaic forms on Klee's art.
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