Wolfsbrunnen (Original Title) c. 1813 - 1814

Editor: So, this is "Wolfsbrunnen," a drawing in ink on paper by Carl Philipp Fohr, dating to about 1813-1814. It feels so peaceful and contemplative; what stands out to you? Curator: The piece speaks volumes about the rising tide of Romanticism and its relationship with the past. I am particularly drawn to how the architecture of the well integrates with the natural landscape and how that represents the Romantic period’s relationship with nature and national identity. Why do you think he chose such a seemingly ordinary scene? Editor: Maybe it was the idealization of the common folk or something about local pride? Curator: Precisely! Artists were increasingly interested in the ‘genius of the place’ – in visually celebrating the unique spirit and identity tied to specific regions. Think of the rise of folklore and national narratives at the time. This scene becomes symbolic – the communal well, a gathering place, all nestled within a romanticized German landscape. Editor: Ah, so the public function of a communal well, presented in a way that builds pride. I can also see it as the meeting place for the privileged class. What do you make of the use of light and shadow? Curator: The chiaroscuro, the interplay between light and dark, is deliberately employed here. Notice how the building, figures and nature all blend together into an idyllic scene. This carefully constructs an idealized, and politically potent, vision of harmony. The shadows soften reality and add a sense of reverie, transforming the scene into something more than a mere depiction of a local well. Editor: I didn't realize how loaded an ordinary well could be. Thanks, I'll definitely consider that interplay of reality and idealism now. Curator: Art reflects and shapes our understanding of history, of nature, and of ourselves. Always consider whose stories are being told.