Tea pot c. 1863 - 1912

Editor: This is a metal tea set entitled "Tea Pot," created by Bigelow, Kennard & Co., sometime between 1863 and 1912. The objects are meticulously crafted; their metallic surfaces gleam. How would you analyze the forms of these objects? Curator: From a formalist perspective, one might observe that the ensemble harmonizes through repetition of geometric shapes. Consider how the octagonal base is mirrored in the bodies of each piece. Note the vertical emphasis of the taller teapot versus the squat, horizontal presence of the creamer. What impact do you think these choices have on the viewer? Editor: I hadn't considered the distinction between the teapots! I suppose the verticality suggests a certain formality or perhaps aspiration. Curator: Precisely! And observe the contrast of smooth surfaces against the beaded edges. Semiotically, what might these juxtapositions suggest? Editor: Perhaps the beads soften the rigid geometry, introducing an element of...decoration. The reflective surfaces almost abstract the objects in themselves. Curator: Good. The specular quality reduces our perception of the object’s purpose; the set shifts towards pure aesthetic form, a meditation on line and shape. Do you think it could serve an original purpose anymore, or has it become something else? Editor: Possibly. This has changed my understanding. Focusing on shapes highlights artistic purpose and changes the objects completely.