Johans Friedrich, Duke of Saxony (1503–1554) by Peter Flötner

Johans Friedrich, Duke of Saxony (1503–1554) 16th century

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carving, sculpture, wood

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portrait

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carving

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sculpture

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11_renaissance

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sculpture

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wood

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decorative-art

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italian-renaissance

Dimensions: Diameter: 2 in. (5.1 cm)

Copyright: Public Domain

Curator: Here we have a small, circular wood carving depicting Johans Friedrich, Duke of Saxony. It's believed to be a 16th-century piece by Peter Flötner. What strikes you first about it? Editor: The immediate impression is one of restrained power. It's a study in dark, almost somber tonality. The circular frame emphasizes the subject’s isolation, that profile neatly contained, almost trapped. Curator: Absolutely. The profile view itself is significant. Profiles in art often signified a certain...detachment, a stoicism, if you will. We see this echoed even in ancient Roman portraiture. Think of how the ruler’s image had to be portrayed to assert their status! It wasn't just about physical likeness, but creating an image of strength and permanence. Editor: Note the minute detail that belies the carving's likely small scale. Observe how the artist contrasts the textures of the man's hair, his beard, and his ornately decorated clothing, it’s meticulously rendered, almost microscopic. This adds a dimension that enhances its overall impact. Curator: That meticulous detail would certainly appeal to the patron, perhaps even be expected of him! The clothing itself communicates status – a carefully braided trim visible at the neck and across the shoulder, implying a powerful authority figure. What does it say about self-fashioning? These people were in dialogue with clothing and images, even if this one now resides on display at the Metropolitan Museum of Art in New York. Editor: Agreed. The wood material also conveys a tactile quality that something like bronze might lack. It invites touch, or at least imagines it. And considering it's a relatively humble material, the artistry involved elevates it considerably. Curator: Wood as a medium is fascinating as a durable material – it carries its own story as a living thing repurposed for portraiture and status making. These traces remain. As the image conveys dignity, so too does the material resonate with power. Editor: Indeed. A lasting dignity, skillfully hewn. Curator: A story etched in wood, connecting us to a ruler and a specific moment of history. Editor: And reminding us of the enduring power of artistry to transcend its materials.

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