Landschap met sloot by Elias Stark

Landschap met sloot 1887

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drawing, print, etching, ink, woodcut

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drawing

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print

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etching

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landscape

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ink

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woodcut

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realism

Dimensions height 99 mm, width 146 mm

Curator: Standing here before Elias Stark’s "Landschap met sloot," made in 1887, which translates to “Landscape with Ditch,” we see the artist employing etching, ink, and woodcut techniques on a single print. Editor: Gosh, what a deeply atmospheric little world Stark has conjured here. It's intimate and a little brooding, wouldn’t you say? A whispered story of water and light fighting through the foliage. Curator: Absolutely. Stark, a key figure in the Hague School, often captured these very intimate Dutch landscapes. What's fascinating is how he, and his contemporaries, shifted from grand, idealized landscapes to these almost photographic glimpses of everyday life. We see a realism that reflected social changes, particularly the rise of the middle class. Editor: And you can feel that realism, can’t you? Not in a stuffy, academic way, but a real lived-in feel. The scratchy lines evoke a sensory landscape, the smell of damp earth and the sound of insects buzzing around a neglected ditch. The social element almost feels secondary to me compared to the elemental. Curator: But the democratization of landscape as a subject became so potent. Before, only specific patrons were painted, places and things of the rich… now everyday reality becomes subject. We see Stark’s own social consciousness embedded within these choices of subject matter. Editor: Perhaps. Or perhaps Stark was simply seduced by the sheer beauty of a scruffy little ditch! What speaks to me, and to many viewers I think, is his mastery of capturing fleeting moments of beauty in the ordinary. It asks the question: What if these simple overlooked places were considered sublime? Curator: An interesting challenge to the hierarchy indeed! Seeing artwork in institutions grants cultural meaning, something for everyone to be exposed to! So ultimately, it's about the push and pull between an artwork, the museum that protects and shares it, and of course, the public that finds its own resonance within it. Editor: Yes! Art and institutions intertwine, a fascinating interplay to observe across time! This artwork makes one think, perhaps every stagnant ditch, in the right light and right mindset, can indeed hold universes.

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