Kroning van Maria by Cornelis Cort

Kroning van Maria 1563

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print, engraving

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allegory

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print

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mannerism

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figuration

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history-painting

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engraving

Dimensions height 208 mm, width 168 mm

Editor: This is "The Coronation of the Virgin," a 1563 engraving by Cornelis Cort, currently residing at the Rijksmuseum. The scene feels otherworldly; Mary floating on these puffy clouds, haloed with light... It almost feels a bit dreamlike. What stands out to you in this piece? Curator: Ah, Cornelis Cort, always so adept at capturing that ethereal quality! What catches my eye is how he's managed to blend the sacred and the, dare I say, sensuous. Those flowing robes, the gentle expressions... Mannerism was all about elegant artifice, and here, the figures practically dance on the page. Tell me, what do you make of the inscription at the bottom? Does it unlock anything for you? Editor: I hadn’t really considered the text! It seems like Latin… It’s intriguing though, suggesting a layer beyond just the visual narrative. Is it typical for engravings of this era to include inscriptions like that? Curator: Often! It's a little window into the intellectual world of the time, don't you think? Think of it as Cort winking at the educated viewer. The inscription alludes to the Magnificat, Mary's song of praise. It’s grounding the image in scripture, yes, but it also reminds us of the *power* inherent in faith. This wasn't just a pretty picture; it was a theological statement! It's all very crafty, Cort ensuring the meaning reverberates on multiple levels. And the engraving allows for wider distribution of a holy image! Editor: That reframes it completely. It’s no longer *just* an image of heavenly coronation, but something that has implications for social and religious ideas that people engaged with at that time. Thanks, I definitely have a richer understanding now. Curator: Absolutely. And isn't it brilliant how something seemingly distant can suddenly feel so alive? The best art always holds a mirror up to the soul, doesn't it?

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