Schole Christi by Gillis van Breen

Schole Christi 1599

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drawing, print, ink, pen, engraving

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drawing

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baroque

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pen drawing

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print

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old engraving style

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ink

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pen-ink sketch

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limited contrast and shading

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pen work

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pen

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history-painting

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engraving

Dimensions: height 302 mm, width 202 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Schole Christi," an engraving from 1599 by Gillis van Breen, currently housed in the Rijksmuseum. The detail in the line work is incredible, creating a very intimate, almost claustrophobic feel. The text framing the image, and even within it, seems crucial. What can you tell me about its context? Curator: Absolutely. Van Breen's "Schole Christi" is a powerful example of how art became intertwined with religious and political debates during the late 16th century. Given the socio-political climate of the time, how do you think its display in public spaces influenced its reception and its role within society? Editor: I'm guessing with the amount of detail dedicated to inscribing it, the scripture was a core component to its significance? Curator: Precisely. Consider the messages being communicated – what ideas or challenges might this piece present, considering its potential audience? Do you imagine that it promotes reflection, perhaps aiming for social reform during times of conflict, both in statecraft and church matters? Editor: It is certainly pushing reform... How accessible would a piece like this have been to the general public at the time? Its intricacy and the inclusion of extensive text suggest a learned audience. Curator: That’s a key point. Although printed and potentially reproducible, the dense symbolism and text indicate it likely circulated within educated circles, perhaps as part of a larger intellectual discourse or used within religious institutions. How might that limit its influence on wider social attitudes? Editor: It makes me think about how even art intended for a broad message still operates within very specific societal boundaries. It's not just the message, but who has access to it and the power to interpret it. Curator: Exactly. This print shows how art acts not just as an object of aesthetic or religious value, but as a tool in a broader socio-political landscape, shaping public opinion within specific sectors. Thanks, this look into its political and social circumstances provided more context.

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