Vrouw met een slapend kind in een herberg by Wallerant Vaillant

Vrouw met een slapend kind in een herberg 1658 - 1677

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print, etching

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narrative-art

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baroque

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print

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etching

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figuration

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genre-painting

Dimensions height 360 mm, width 287 mm

Editor: So, this print, "Vrouw met een slapend kind in een herberg," which translates to "Woman with a Sleeping Child in an Inn," is an etching by Wallerant Vaillant, created sometime between 1658 and 1677. The scene seems so intimate, yet takes place in what appears to be a crowded tavern. There's a definite contrast there. What catches your eye when you look at this, particularly in terms of its composition? Curator: Oh, darling, it’s that dance between the everyday and the extraordinary, isn't it? Vaillant’s captured a quiet moment of tenderness smack-dab in the middle of boisterous activity. Think of the inns of that time; smoky, loud, maybe even a little dangerous. Yet, within that, you have this Madonna-like figure, cradling her sleeping child. And those shadowy figures around her—are they menacing, or simply… oblivious? He certainly gives us pause. Tell me, does it evoke a certain feeling for you? Editor: Definitely a feeling of unease mixed with serenity, I think. The dark tones and cramped setting give off this sense of uncertainty, while the mother and child emanate this calm. How would this have been received back then? Curator: You know, printmaking was having its moment. It's fascinating to consider its function; a story told, infinitely repeatable. Vaillant isn't just showing us a scene; he's inviting us into it. To sit, if only for a moment, with the mother and child amidst the clamor, contemplating the fragility of life. He might be speaking to something essential to humanity - this capacity to find love and safety amidst all the chaos. And humor is also present in Vaillant's etching, don't you think? It reminds me of everyday life even today. Editor: That’s a great way to look at it. The intimacy within chaos, perfectly captured. Curator: Precisely! And that's what art should do, prompt us to consider the multifaceted, occasionally messy, nature of being human, doesn't it? Editor: Absolutely, I think I’m seeing it in a whole new light now. Thanks for the chat.

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