Specvlvm Peccatoris by Matthäus Greuter

Specvlvm Peccatoris 1596

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print, engraving

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allegory

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baroque

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print

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figuration

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history-painting

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engraving

Dimensions 265 mm (height) x 173 mm (width) (bladmaal)

Curator: This print is entitled Specvlvm Peccatoris, meaning "The Mirror of Sinners," and it's from 1596. Matthäus Greuter created it. Just look at all those intricate details rendered with fine lines. Editor: Woah, right off the bat, this hits you with the weight of remorse, doesn’t it? A soul pinned in place by blades, completely surrounded by allegorical imagery – it feels like being trapped in someone else's intensely baroque nightmare. Curator: It does possess that air of inescapable dread. The central figure is seated, almost pinned down by what appears to be several swords pointing directly at them. These blades are inscribed. Editor: Exactly! Those aren’t just any old swords, but embodiments of inner torment. And then the framing, with classical figures trapped like statues—it’s like a visual cage built of judgment. I can almost smell the incense and feel the cool stone of a somber chapel. Curator: I find the placement of the skull at the very bottom especially powerful. It’s framed as the foundation of this whole scenario— a constant memento mori that fuels the whole visual narrative of guilt and regret. Editor: Absolutely. And that central figure's posture, the hands clasped in prayer while enduring those sharp-looking swords... it is the epitome of anguish and confession. Each symbolic element has the function of reflecting universal concerns: sin, redemption, and mortality. Curator: Greuter masterfully employs this print to unpack pretty dense theological concepts of the period, presenting them as these easily readable symbols for broader audiences. Engravings like this had didactic roles; I wonder about how this mirror affected people back then. Editor: I'd venture that the image was intended to be less didactic and more devotional. Think about the human longing to reach something far beyond reach and our frailty in trying to connect to the divine. In any case, quite an intense graphic representation, even after all these centuries. Curator: Indeed, a somber dance with sin and salvation captured in ink.

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