Head of a Child 1550s

This sanguine drawing, “Head of a Child,” was made by an anonymous artist, using red chalk on paper. Though the drawing is unsigned, the artist's skill and intent is evident in the work's materiality, particularly in the drawing medium itself. Sanguine is ideal for capturing the warmth and vitality of flesh tones, as we see in the child’s rosy cheeks. This choice reflects a deep understanding of how material and process can enhance the expressive qualities of an artwork. By delicately layering strokes of the chalk, the artist captures the soft, plump features of the child, emphasizing the innocence and vulnerability of youth. Consider also the physical act of drawing. Each stroke of the chalk is a deliberate gesture, a translation of vision into form. This directness contrasts sharply with more elaborate techniques. It offers a view into the artist's intimate engagement with the subject. In celebrating both skill and the immediacy of the artist's process, we gain a deeper appreciation for "Head of a Child."